So what could possible save my art at this critical stage? Why only the best damn colorist in the world, of course! That would be one Dean White, good friend and frequent collaborator. Dean brought it all together and really saved the piece in my opinion. I was trying to play up the insanity of the Green Goblin in the way I exaggerated his face, almost to the point of the Joker. The way Dean has the fire from the pumpkin bomb flickering off Green Goblin's face highlights that perfectly. The moon and the clouds in the background set the mood for an eerie scene. Saved by the colorist! So there!
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